Publication

About This Publication

What We Cover

Digital Heritage Australia covers the application of digital technologies to cultural heritage in the Australian context. Our editorial focus spans three interconnected areas: the digitisation of physical collections held by museums, libraries, and archives; the development of virtual heritage experiences that bring historic environments and cultural stories to new audiences; and the specific challenges and opportunities of digital preservation for First Nations cultural heritage.

We write for professionals working in Australia's cultural sector — curators, conservators, archivists, digital practitioners — as well as researchers, educators, students, and members of the public with an interest in how technology is changing the relationship between communities and their cultural heritage.

Editorial Approach

Articles published on Digital Heritage Australia draw on publicly available research, institutional case studies, sector reports, and standards documents. We aim to present information accurately and to distinguish clearly between established practice, emerging methods, and speculative developments.

We approach questions of Indigenous digital heritage with particular care, recognising the centrality of self-determination and community governance to this field. Where we discuss specific communities, projects, or practices, we seek to reflect community perspectives as expressed in public statements, published research, and institutional documentation.

Topics and Categories

Content is organised across five categories:

  • Digitisation — scanning, photogrammetry, mass digitisation pipelines, metadata, and digital preservation infrastructure.
  • Virtual Heritage — VR and AR applications, immersive reconstruction, web-based 3D experiences, and game engine applications in heritage contexts.
  • Indigenous Heritage — community-controlled archives, language revitalisation, repatriation, land knowledge mapping, and Indigenous data sovereignty.
  • Technology — specific tools, platforms, standards, and technical developments relevant to the cultural heritage sector.
  • Case Studies — detailed examinations of specific projects, institutions, or programmes.

Contact

For editorial enquiries, corrections, or suggestions, readers can reach the publication through the contact details listed in the site's standard information pages.

Contributors

Meet the Authors

Dr. Sarah Whitfield

Dr. Sarah Whitfield

Melbourne, Victoria

Sarah is a digital preservation researcher and writer with a background in museum studies and information science. She spent a decade working with collection digitisation teams at major Victorian cultural institutions before turning to full-time writing and research. Her editorial focus covers 3D scanning workflows, photogrammetry in conservation practice, and the long-term sustainability of digital collection infrastructure. She holds a doctorate from the University of Melbourne and contributes regularly to sector journals and industry publications.

James Reeves

James Reeves

Perth, Western Australia

James is a heritage technology editor and journalist based in Perth. He has reported on virtual heritage, Indigenous digital archives, and the intersection of cultural policy and emerging technology for over eight years. His interest in Australia's digital heritage landscape was shaped by extensive fieldwork across regional Western Australia, including time spent with community language centres working on digital revitalisation programmes. He writes with a focus on how technology serves — or fails to serve — the communities whose heritage it is meant to preserve.